“…with a print I don’t actually know what it’s going to look like. I see that (ie working with printers) as kind of an ensemble…you’ve got to find the best person for you to print it. Very good printers don’t superimpose on the artist. They look at it (the print) and always try to make it more extreme than you’ve made it. And sometimes they’re right, because you’ve liberated something in them. If they don’t have input into the work, it’s never any good…If you don’t like it you just throw it away, anyway.”
‘Bebop and the Bullfight’ in Collaborations and Conversations 2002-2007. Emily-Mark Fitzgerald, Stoney Road Press, Dublin 2007 p.29
